delayyyyyy

Delayyyyyy: v0.1.0, The First Release

Time for a celebration! The 0.1.0 release is here. It took quite a lot of effort to get everything in place and tested. As usual, the last mile turned out to be more difficult than expected. But in the end, things finally felt good enough for the first beta release. I broke the philosophy of having only one logical change in a single pull request by stuffing all the final changes into one PR, sorry about that. In this blog post, I’m going to go briefly through those commits that lead up to the beta release. The section headers are links to individual commits in case you want to judge my code.

Fix bug in short BPM synced delays

So, first things first, the cliffhanger I mentioned in the previous blog post: the bug in the synced delays. The bug was that when there is a high amount of echos, but not enough synced time signature values for them, the plugin went quiet. Instead, there should have been the few short echoes that were available, but still less than the specified amount. This was caused by prematurely breaking out of the loop that creates the delay buffers. Breaking out of the loop would have been fine if we would have been incrementing the iterator (i.e. creating the longest delay first). However, the loop iterates in reverse order (i.e. creating shortest delay first) and thus we can’t break from the loop before going through all synced time intervals.

It may not be a good idea to lie to the user about the final number of echos though.

This is how I imagine an average user.

Fix parameter state storage

I finally tried a simple saving of parameters in a digital audio workstation project. As it turns out, empty functions don’t do much of saving (or loading), and when I reloaded the project the carefully set parameters were gone. The solution was simple, actually it only consisted of copy-pasting code from an official JUCE tutorial. Not only for the saving but the loading as well. One feature isn’t much of use without the other.

Get BPM from a possible VST host

This is the big one. Basically, I did the following things to achieve this:

  • Run setDelayBufferParams in it’s own thread
  • Read BPM (beats per minute) from the playhead object
  • Detect if BPM changes

The first change was done out of necessity to make the second change possible. Playhead is an object that contains audio playback information, like the position of the audio track or the BPM (if available). However, this object can only be read in the processBlock-function. I can’t remember if I’ve mentioned this earlier, but processBlock-function should execute as quickly as possible to keep audio latency as small as possible.

So, we can’t run setDelayBufferParams in the processBlock because we want to keep things smooth. Instead, a separate thread needs to be created and notified in case the BPM (or any other parameter) changes. The thread also checks parameters every now and then by itself. For thread control, I tried to make a sort of one-sided locking where setDelayBufferParams always waits for the processBlock to finish (even if it’s not running, because it’ll run soon anyway), and then hopefully run before the next block has to be processed because the processBlock is a really busy function and it has no time to wait for anything or anyone.

However, thread-control based assumptions that things “should definitely work this way” will fail with 100% certainty. This is no exception. I’ll fix this in a future commit, but please keep this silly design in mind (and then forget it so you won’t create it yourself)

Add plugin header and version info

What’s worse than getting a bug report? Getting a bug report without the version information, or even the name of the product. This commit added a neat little header that shows the name of the plugin, the name of the creator, and even the version in the bottom right corner. I should have dropped the name of the creator though, so no one could send me bug reports.

This commit uses a neat UI feature of JUCE: removeFrom. This can be used to crop (and return) a certain section of the screen area. Something like this is perfect for the headers. Just remove a bit from the top, and the removed area is the new header area! No need to break the existing flexbox-based UI to try and fit header info in there.

Remove negativity, add Fonzie and update TODO

Does what it says, all changes here went to the README. There may be better issue management tools than just updating the README, but at least it’s not as bad as JIRA.

I have watched zero episodes of Happy Days in my life, hopefully I’m using this correctly.

Set the initial values of parameters to default values

This commit sets the initial values of the parameters to their default values. Would you have guessed? Basically makes the code a bit neater. However, this introduced a quite big bug that I somehow missed: the plugin makes no sound before the UI elements are edited because the delay buffers only get created if the parameter values change. If the parameter values are initialized to their default values, the buffers won’t get created before UI changes to something non-default. This programming bug is equivalent to a fist-sized cockroach in real life. I reverted this change here shortly after merging it, but I may need to revisit the idea some other day.

And then I thought that I was ready for the 0.1.0 release. I did some final testing of the plug-in, fiddling around and making sounds. Life was beautiful. Until suddenly, a deafening “pop”-sound occurred. Ableton recorded it to be 173 dBFS. Fortunately, I wasn’t using my headphones, otherwise my head would have exploded. People from miles away heard the sound of my mistake, which was slightly embarrassing.

Fun fact: the loudest sound on earth has most likely originated from the Krakatoa volcano eruption in 1883. It was recorded to be 172 decibels 100 miles away. And that’s probably the most educational thing in this blog so far.

Well, the reality is a bit less exciting to be honest. The sound wasn’t that loud, and I guess Ableton just calculated it “a bit” wrong. But there was a pop, and it was reproducible easily: just by wiggling the controls of the plugin for a minute or two.

And this is where my “slightly” “stupid” approach to thread control comes in.

Fix race-condition in setDelayBufferParams and processBlock

Basically, it’s dumb dumb very very dumb to assume that some things can and will always run in a certain time frame. In the end, it’s better to have a bit more latency than weird popping audio artifacts. Basically, the sound occurred when setDelayBufferParams didn’t finish before the processBlock was called. As you remember, processBlock waits for no one. So setDelayBufferParams was happily replacing/removing the delay buffers and processBlock was happily reading those garbled memory locations, and a pop sound occurred. That’s why I added a wait to the processBlock so that it won’t run too early. Not the best possible design, but it’ll have to do for now (and most likely until the end).

Add companyName for VST information

Finally, while testing out the plug-in I noticed that the company name wasn’t set correctly (it said yourcompany or something like that), so I fixed it to point to my musical alter ego.

And that’s it! That’s the story of how 0.1.0 came to be. I made one final PR where I added the ready-built x64 VST3-file and updated the README with the known issues of the plugin being a CPU hog and popping occurring while editing parameters. The CPU optimization is worth another story, but I already have a few ideas for that (and for the popping as well). But meanwhile, you can download the VST3 plugin here:

Delayyyyyy_0.1.0 release

This is how it feels to optimize. Even the quality of the GIF is optimized.

November 2, 2021 by VST Plugins 0

Delayyyyyy: BPM synced delay effect

As a hobby project, I have been working on a VST plugin lately. For people who are unaware of what a VST plug-in is (I assume this is most of the people), it’s basically an audio effect or instrument used with DAWs (digital audio workstations). To simplify the concept even further, it’s a piece of software that either creates or modifies an audio or MIDI signal.

The plugin I’ve been working on for the past few months is an audio delay/echo plugin. It takes an audio signal and repeats it a given amount of times with some certain maximum delay value. It also has few simple options: decay time for deciding how quickly the repeated signal levels decay, and a “ping pong” to alternate the left and right sides of the signal.

Ta-dah! This how the plug-in looks at the moment.

Now that I’ve briefly explained what the project is about, I can talk about my latest addition to the plugin: BPM synced delay (basically a delay that is synced to the rhythm of the music). I’ll admit, this may feel a bit like jumping into a moving train when there’s existing code that hasn’t been explained in previous blog posts, but I’ll try my best to keep this simple & understandable. Here’s a link to the PR that contains the BPM sync feature I’ll be talking about in this blog post.

There are changes to two classes, PluginEditor and PluginProcessor. The former is responsible for the UI, and the latter for the actual signal processing.

In the PluginEditor changes were quite simple. I added a BPM sync check box that toggles the visibility of the synced and unsynced delay sliders. I actually had most of the stuff already in place, just commented out (commenting out code is definitely the best method of version control, trust me on this, I’ve had “senior” in my title for three whole months /s). Checkbox’ value is also used in the PluginProcessor side to see if the delay should be synced or not. I’m using CustomSliders to have a custom look and feel on the sliders, but everything should work on a regular slider class equally well (or even better).

There are also some UI gymnastics going on to get everything aligned correctly. The UI should be resizable (kinda), which causes its own headaches there. Possibly the most interesting thing is the custom textFromValueFunction that allows showing musical time signatures instead of raw slider values in the slider value box. Besides these, I also had to inherit the Button listener to be able to update UI and delay parameters whenever the user would click the button. There are more elegant ways to do this, but I think for two lines of code in a hobby project this is a sufficient solution.

Lazy day every day

Simple so far? Well, things should get a bit more interesting (i.e. complicated) in PluginProcessor. First of all, I had to create parameters for the synced delay toggle and synced delay amount to ValueTree. ValueTree is a class that, you guessed it, stores different values and helps handling them.

However, maybe the most important functional changes in the PR are to the setDelayBufferParams-function, and that could definitely use some explanation. The delay in this plugin works by creating a vector of size N, where N is the number of echos that we hear back. This vector is then filled with ring buffers, and these buffers have read and write pointers that are offset by a certain amount from each other. There’s a picture after this, and I hope that it’ll explain the idea better than two chapters of words and poorly thought-out mathematical formulas.

The offset between read and write is calculated from the maximum delay time X and echo amount Y user set from the UI. The first buffer gets a value of X/(2(Y-1)), second X/(2(Y-2)), and so on, until (2(Y-n)=0. In that situation, the last buffer just gets the value X. This creates an interesting (yeah for sure) non-linear, yet fairly symmetrical delay effect. Please note that the first echo buffer has the smallest offset between read and write pointers.

ANYWAY, after this offset is calculated, the write pointer is set to this value while the read pointer is set to zero. When there’s an audio signal coming in, there’s first a read performed on the buffer to obtain the possible previous, delayed signal. Then the incoming signal with possible ping pong and decay applied is written to the buffer. Finally, the earlier read value is added to the incoming signal. This is then repeated for all the buffers. Since each buffer has a different, bigger than zero offset between write and read pointers, the audio signal gets repeated at different intervals, creating a delay effect. Wowzers!

In this example, the maximum delay is set to one second, and there are four echoes. I’ve been told to never apologize using Paint in explaining things, but hopefully this makes sense.

Now, how does this idea work in a rhythmically synced world? Well, time for a little music theory for a change. 97% of the modern western music is in 4/4 time signature, meaning that there are four kick drum hits in a bar, and music is constructed of building blocks with a size of four bars (gross oversimplification, but I don’t want to end up neck-deep in music theory because I’ll explain it wrong). So in a track with a BPM of 120 there are 120 kick drum hits in a minute, and 30 bars in a minute.

This gets a bit subjective from here, but I personally like synced delays to be divisions and multiples of two from the previously calculated value, starting from 1 bar, to create a nice rhythm that sounds good on most music. This means that the delay gets values like 1/2, 1/4, 1/8, and 1/16 when going shorter than one bar, and values like 2, 4, 8 & 16 bars when lasting longer than one bar. When we know the beats-per-minute, or BPM, it becomes fairly trivial to calculate the write and read pointer offsets that are rhythmically synced. Instead of using the user set value for the maximum delay, we calculate the time for a certain amount of beats in a certain BPM.

Looks similar, doesn’t it? Max delay set to 1 bar, and echoes to 4. The difference is that the duration of the delay doesn’t depend on the time, it depends on the tempo of the music

Hopefully, you’ve understood what I’ve tried to say with this. To make this code change slightly more confusing, there are some optimization changes thrown in there as well. Basically, earlier I had a static 10-second size for the delay buffers. However, with synced delays, this may not be enough, and for the shorter un-synced delays, this will be way too much. So I set the buffer’s size to be equal to the write pointer offset because there is no point in having the buffer be longer than that. The ring buffer will rotate more often, but that isn’t really an issue because old values are not needed.

And that’s the process of how I did the BPM synced delays to my VST plugin. The theory is quite simple once you get the idea of how I implemented the delay buffers, after that it’s just a matter of modifying the write pointer offset. The rhythm is still hardcoded to 120 BPM, but it’ll be fixed in the next PR. There’s also one bug in this implementation that I’ve fixed on my local branch already, but I’ll leave details on that as a cliffhanger to my next blog post.

October 13, 2021 by VST Plugins 0